Music of the Future
In a suitably snowy Montreal I went to see “No Foreign Lands”, an exhibition of paintings by Peter Doig, one of contemporary art’s most shoegazy painters. Here are two of the paintings Doig made in the early 1990s, the heyday of densely blurry, snowflakily-distorted, edging-towards-abstraction and almost-at-the-point-of-dissolution guitar music: Doig’s paintings are typically based on […]